As I said, I have unfortunately not seen the work. But it seemed very
interesting and he had some very interesting remarks to a discussion about
interaction vs. the work of the artist.
If you're interested I could probably dig up his adress. I have to go
through a couple of people though. - I've forwarded this email to somebody,
I know, knows him.
Best regards,
Soeren Pold
>>From another list serv that I frequent, I see the following report from
>person called Brett Battey who is at the International Computer Music
>Conference in Greece...
>
>>From: "B. Battey" <bbattey@u.washington.edu>
>>To: cyberartists@u.washington.edu
>>Subject: last icmc post
>>MIME-Version: 1.0
>>
>
>[snip]
>
>>Last night had a concert of interactive motion/dance items. Particularly
>>effective was Wayne Siegel's Movement Study I for dancer and the DIEMMIDI
>>body suit controling realtime music. Very effective unison of dance and
>>expression - both a technical and artistsic success, which unfortunatlely
>>seems rare here. Other pieces featured video sendising, hand controllers
>>mapped through space to control elements of a electric guitatr physical
>>model.
>>>
>>-=Bret
>
>Can anyone else tell me about Mr. Siegel's work?
>
>Thanks in advance,
>Mark Coniglio
>
>================================================================
>Mark Coniglio, Artistic Co-Director | troika@panix.com
>Troika Ranch | http://www.art.net/~troika
>================================================================
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Soeren Pold
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